Building and managing your brand to create the connection, relevance and resonnance needed to attract today's investors
Once thought to be important only to the makers of laptops, soap, and cars, a strong brand is perhaps even more critical to the success and sustainability of nonprofit organizations.
Most nonprofit organizations operate within very competitive landscapes—vying for participants, staff, partners, board members, and, especially, funders. But, unlike the makers of soap and laptops who can financially reward investors, partners, and board members, nonprofits have to rely on less tangible currency; people have to want to work with your organization—they have to believe in your efforts.
More and more, prospective donors to nonprofit organizations make decisions based on whether the nonprofit's brand will enhance their personal brand: "Is this an organization in sync with my values? How I see myself? How I view the world? Is my brand bolstered by this association?"
Prospective donors to nonprofit organizations make decisions based on whether the nonprofit's brand will enhance their personal brand
Raising funds from groups with different interests: Mass Audubon. For a major campaign, communications made it easy for donors and prospects to connect in ways that were meaningful to them: the campaign increased both depth of commitment in specific areas and gave prospects a view "across" Mass Audubon, reinforcing why it was the best investment.
Major donors increasingly view the checks they write as "investments" rather than "charitable giving." Beyond just "doing good," they're looking for a return on their investment. Donors and prospects want to invest in organizations whose vision aligns with their own, where their participation will make the most difference, and where their interests will be advanced—ideally in concert with the interests of the nonprofit. How your organization is positioned and perceived—how your brand is developed and managed—is important if prospects are to see your organization as the best choice through which they can advance their goals. If your brand is resonant and relevant, you're more likely to be successful competing for investment dollars. Being "worthy" is not enough.
Major gift prospects are looking to invest in the organizations most likely to help them realize their goals
A clearly defined, consistently communicated brand helps build the connection and trust needed to advance fundraising efforts. It makes your vision and promise clear, fostering the needed alignment between your organization and the vision and objectives of donor / investors. It adds value, coherence, and meaning to your offerings by increasing awareness and comprehension around what you do, what you stand for, and why people should care. It makes the most of your mission.
And a well-articulated brand provides the shared understanding necessary to build a corps of effective ambassadors among staff and board; it creates "pull"—moving people closer to your organization, further increasing connection.
Transformation and growth: Fuller Craft Museum. In just over a year, this once also-ran museum was transformed into the premier venue for contemporary craft exhibition, collection, study, and community in the country. A new mission, name, verbal and visual branding system, and leadership generated significant increases in visitation, membership, funding, media coverage, and prestige--all critical to a sustainable and vibrant future.
Your organization has a name, and it may have a logo, but neither is necessarily a brand. A brand is a set of promises and expectations that exist in the hearts and minds of your constituents. Brands are built by consistently pairing an organization with the attributes, positioning, promise—and behavior—by which the institution wants to be known and understood. Brands are learned.
Your brand can be defined in the boardroom, but you don't actually have a brand until those constituencies you're trying to engage "get it." Every communication—print, digital, environmental, social—is an opportunity to advance this learning and understanding. Over time, your logo or logotype becomes shorthand for who you are and what you mean. Brand building is a process, not an event; it takes active management and investment.
Sometimes what's needed is a start-at-square-one brand-building process—for start-up endeavors or for organizations that are neither known nor understood (often from not having put energy into their brand). Sometimes what's needed is re-positioning and re-branding—for organizations that are not perceived as they wish to be, who have changed (but whose brands haven't), or whose current brand image does not positively influence their constituents.
Whether you're launching a new organization and brand, or re-positioning or re-energizing an existing one, the key steps in the process are similar:
Communicating to connect to different constituents: McGovern Institute for Brain Research. A post-doc is looking for "hard" science; a science reporter, "chewy"; many donors can only digest "soft" science—how research translates (or might) into benefits. Brand-building communications from the McGovern Institute are conceived and written to build and nurture relationships across a range of constituents.
A messaging structure provides people with the ability to be agile—to start and steer dialogues
Building recognition and resonance across all communications: Boston Symphony Orchestra. Because every communication from the BSO is informed by a shared set of visual and verbal brand building blocks, every marketing and development initiative is able to do its specific, tactical job well and work hard to reinforce the main messages and promises of the brand.
It's very hard to skip a step. No one is likely to come across with a significant gift if he or she doesn't know who you are, doesn't understand you, and hasn't participated in what you do in some way. And remember that people who know little about you need different communications than those who are already close. Treating a long-time donor like a newbie will send that person skittering away. Similarly, sending a planned giving packet to someone who has just interacted with your organization for the first time will probably guarantee that that person never writes a check. Understand and acknowledge where people are in the above sales cycle, and then communicate appropriately to move them closer.
A strong brand system increases the likelihood that what you want shared will be shared
Communications and brand building are not, ultimately, about the creation of artifacts—your logo, website, annual appeal mailing, podcast, or Twitter site. You communicate to inform and connect, to influence thinking and behavior. You communicate to realize your strategic and tactical goals—to get results. These can be measured in different dimensions:

In other words, while the results of an annual appeal can be counted in the near term, building relationships that lead to a substantial planned giving bequest evolves over a longer time frame. Results that are tangible and immediate for one department may also support less tangible, longer-term results for another. A subscription acquisition piece needs to sell tickets, but it is also an opportunity to encourage a deeper affiliation—one that could lead to a major gift.
Building a brand that support the whole—and the parts: MIT Sloan School of Management. The new brand communications system for MIT Sloan has "volume" and "tone" controls. Communications can be tuned for best alignment with a particular group--prospective MBAs, Fellows, or major donors--with assurance that all communications will also cohere to build the image and meaning of MIT Sloan.
Not all that many years ago, you controlled the relatively small number of communications that expressed your brand—and moved prospects to become donors, and donors to become major ones.
Not so any more. While now have many more channels through which to express your brand, there are also multiple channels—tweets, blogs, and other messaging technologies that make it easier for people to dash off two lines than it ever was to get out stationery and lick a stamp—that you don't control.
Today, your brand is a mosaic. You place many of the "tiles," but some are placed by others—ideally in line with your plan. But if an unwelcomed tile is inserted, the negative impact on your brand picture will be far less if you've provided a strong context for that rogue tile—if the color, material, and "edges" of the tiles you've placed influence how this new tile is perceived.
You place many of the "tiles" in your brand mosaic, but some are placed by others
If every communication from across your organization works hard to support your brand—in addition to fulfilling its more specific, tactical marketing or development goals—the institution always benefits. People will get to know you better, more quickly, and find a way in to your organization that resonates with their goals and values. And you'll be able to build the trust and connection to move people to invest in your enterprise.
Roger Sametz is President and Lead Strategist of Sametz Blackstone Associates, a Boston-based, brand-focused consultancy that integrates strategy, design, and digital media to help mission-driven organizations better navigate change. He can be reached at This e-mail address is being protected from spambots, you need JavaScript enabled to view it .
This article, in substantially the same form, originally appeared in FundRaising Success.